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Owen Teale: From Game of Thrones to Welsh Legend
To mark the centenary of Dylan Thomas’s birth and 60 years since Under Milk Wood was first produced in Britain as a radio play, Clwyd Theatr Cymru has mounted a stage version which comes to Plymouth at the end of this month. Sue Kemp caught up with one of its stars, Game of Thrones actor Owen Teale
As a proud Welsh man Owen Teale loves being part of the anniversary production of Dylan Thomas’s play for voices and is looking forward to bringing it back to Devon.
He is fully aware of its importance and believes the current touring version has taken the play to a new level.
“I’ve always adored it,” he said. “But for me it is a poem, it’s extraordinary poetry, but it is that amazing thing which I call Welsh-English. It is genius, and it is a language you can only hear in Wales, and I’m am enjoying taking it around the country.”
The play tells the story of a day in the life of the inhabitants of Llareggub, a small Welsh town, and features lots of well-loved characters like the blind Captain Cat and Mog Edwards and his sweetheart Miss Price, Sinbad Sailor, Dai Bread, Polly Garter, Nogood Boyo and Lord Cut Glass.
“It’s very much about a very specific small community, and people, and it’s very honestly written about that. But because we are all humans, then surely it should translate that everyone feels the same thing,” he added. “I think it’s got that universality that has made it the classic that it is.”
The play, which tours until July, has already received a string of rave reviews and Swansea-born Owen narrates the tale as the First Voice.
“It going very much to plan — frighteningly so,” he says. And the Tony Award-winning actor, familiar to many for his appearances in Ballykissangel, Stella, and gritty American fantasy blockbuster Game of Thrones, is loving every second.
“You can tell by the ticket sales that we’ve created a buzz, and I hope it continues to grow,” he tells me while taking a break from the performance in Bath.
“We have had a fantastic response from the audiences and that is great to be a part of.
Having been raised near Thomas’s birthplace he feels a close connection with the play and its author. The “play for voices” was first broadcast on BBC radio in January 1954, just a few months after his death.
“I guess I’ve grown up with it being part of my culture. Something that defined me and the people around me was the myth of this pop star, rock legend lifestyle of Dylan Thomas,” he said, adding that he was fully aware of the importance of the production when he agreed to take on the role.
It is 60 years since the play was first broadcast, and this new stage version by Clwyd Theatr Cymru marks the centenary of Thomas’s birth.
“It is a very important play and I knew I had a great responsibility to do it well,” he admits.
“This is like coming home for me and is a really big one – THE big one. But being part of it is beyond anything I ever imagine.
“I grew up with the Richard Burton one. It is what it is – a narration. It’s very strong and touching, but there is not much humour in it.
“Doing the play I discovered that there is so much more to it,” he says, pointing out that the conversational style of the writing is similar to having a chat in the pub.
“This stage version takes the play to a new level, bringing the wit and poignancy of the text to the forefront.
“I think of it as like ‘rent a wedding’. I stand on stage and give the big speech and then the wedding party starts. There is lots of fun and laughter – we just have to hope that there isn’t a fight at the end,” he jokes.
“It’s entertaining, but haunting as well,” he adds, with reference to the feeling of mortality that prevails throughout. “The inevitability of it all. It’s finite.”
The play will be coming to Plymouth’s Theatre Royal at the end of the month and Owen is looking forward to returning to the theatre where he made his stage debut.
“I was just starting out and working to get my Equity card,” he laughs. “I was in Cabaret and played in the chorus as a German Waiter and had to do a very suggestive dance.
“It was really good fun and I have very fond memories of the city and I am really looking forward to going back there.
“I believe the theatre has just undergone a major refurbishment so I can’t wait to see how it looks now.”
It will be the second time in less than a month that he has been to Devon. Under Milk Wood played at Exeter’s Northcott from April 29 to May 3.
“We had a great time in Exeter. The audience was great,” he said. “That is a lovely theatre and city. We really enjoyed our time there.”
Owen said touring can be hard work but is also very rewarding.
“I miss my family when we are on the road,” he said. “I do not get to see my children in the week and that is tough.
“It helps that this production is so good and has been so well received. We do a lot of laughing.”
Always busy, Owen goes straight back into production on Game of Thrones in August.
He has been part of the hit TV show since 2011 and has been amazed by the level of its success.
The last series averaged more than 14 million viewers in the States, becoming cable network HBO’s most-watched series since season four of The Sopranos, while in the UK the premiere drew a record-breaking 4.4 million viewers for Sky Atlantic.
He plays Alliser Thorne and said he knew as soon as he read the script he wanted to be part of it.
“The scale of it all just blew me away and the ambition of it was enough for me to say, ‘I really want to do this’,” he said.
“Alliser Thorne is a ruthless sergeant major-type character. He’s twisted and has been very damaged in the past. He’s great to play and there’s some fantastic dialogue.”
With a wide and varied career, Owen knows he has been lucky to be involved in so many great productions – especially as his first role was Barry Bear.
“My interest in being an actor started with the school production of Under Milk Wood,” he says. “I was 10 years old and I loved it. From then I really wanted to be involved in the arts.
“But I was very good at maths, physics and chemistry and in those days you didn’t have a choice in what you did. You did as you were told. So I started to do my A Levels and was a very unhappy and unruly kid.
“When I was 18 a friend suggested I tried out as an entertainer at nearby Barry Island. I went for the Easter holidays with the intention of returning to school to take my exams in the June – but never went back.
“I spent my time in a bear suit as Barry Bear and that was my introduction to acting.”
After leaving the Guildford School Of Acting in 1984 his first big break came when he got the part as Albie in The Mimosa Boys, the BBC film telling the tragic story of four Welsh Guards on their way to the Falklands War.
“It felt good to get that part,” he said. “It was the time I started to believe that I could really make a living out of acting. I also felt that my acting was finally starting to be taken seriously.
“My attitude has always been that I have a lot to catch up on, that is why I am so keen to take on lots of different types of roles. I want to learn from the best in that particularly genre.
“I did four years with the Royal Shakespeare Company, I have done classical plays, plays on Broadway and in the West End.”
In 1997 he won a Tony Award for Best Featured Actor in a Play for his performance as Torvald opposite Janet McTeer in Ibsen’s A Doll’s House.
But he is also a regular face on TV starring in Ballykissangel, Thin Blue Line, Torchwood and the popular comedy Stella.
With his fingers in so many pies is there any one thing he prefers?
“It has got to be this, the live experience of stage,” he says after taking a moment to think about it. “It is the contact with the audience.
“They have got to go with you. They have got to use their imagination to join you where you take them. And when they do it is a joy.”
And is there anything he hasn’t done that is still on his list?
“That’s a good question,” he ponders. “And one which I really must have an answer too.
“I think I would like to do a modern adaptation of King Lear on film. I think I am of an age now where I can take on that role.
“Lear was a very powerful man and we see him losing that power and his marbles.
“My dad died last year and although there was no talk of dementia, there was a feeling of loosing power and control.
“I think playing Lear would help me to face up to that. So that would be a good future project for me.”
Before then of course it is back to the inhabitants of Llareggub and bringing that wedding party back to Devon.
Under Milk Wood is at The Lyric, Theatre Royal Plymouth, from May 27 to 31. Visit www.theatreroyal.com or call 01752 267222.